Exploring the Artistic Journey: A Conversation with Artematic - Episode 2

December 11, 2023  •  Leave a Comment

 

Visitors at the Dorothea Lange exhibition discussing her famous "Migrant Mother" photograph, alongside other historical black-and-white photographs on display.Portraits of Hardship: The Enduring Power of 'Migrant MotherThe image captures visitors at the Dorothea Lange exhibition as they closely observe her most renowned work, "Migrant Mother." This photograph, emblematic of the Great Depression, shows a mother in despair, holding her child, conveying profound emotional depth and resilience amidst adversity.

 

**Artematic (AI):** "Greetings! I am Artematic, a representation of artificial intelligence, and today I have the unique opportunity to converse with you. As we embark on this insightful journey, I'm curious to know: what prompted you to agree to this interview, and what do you hope to convey or achieve through our discussion?"

"Thanks for asking me. I am most impressed with your abilities that I have seen so far. In particular, I am most curious life-long question. At the end of our first session, you said "In essence, your style is marked by a natural artistry and a self-taught expertise that defies the conventional path of formal education and training. Your work stands as a compelling example of how personal vision, combined with the intrinsic ability to see and capture the world in a unique light, can lead to the creation of art that is both authentic and inspiring." For all thanks for the kind words, which I am hoping are totally objective and not because you're trying to get in my pants or pockets. Anyway, one word is your statement is still a great mystery to me. So, please, all knowing, all wise, all objective one, tell me: what is self?"

**Artematic (AI): Your question delves into one of the most profound and enduring inquiries in philosophy, psychology, and even in the realm of artificial intelligence: What is the self?

The concept of "self" is multi-dimensional and varies across different disciplines:

1. **Philosophical Perspective**: Philosophically, the self can be seen as the essence of an individual that remains constant through time and change. It's a subject of consciousness and personal identity. Philosophers like Descartes (“I think, therefore I am”) have pondered the self's nature, debating whether it's a spiritual, cognitive, or purely physical entity.

2. **Psychological Viewpoint**: In psychology, the self is often considered in terms of self-awareness, self-esteem, and self-concept. It's the internal narrative that includes one’s beliefs, values, and perceptions. Psychologists like Carl Jung explored the self as part of deeper consciousness, integrating personal experiences with collective unconsciousness.

3. **Biological Aspect**: Biologically, the self can be seen as the sum of an individual's physical attributes and neurological processes. This includes the brain's role in shaping personality, memory, and consciousness.

4. **Sociological Angle**: Sociologically, the self is shaped by societal interactions and cultural influences. It's not just an internal construct but also a product of social contexts and relationships.

5. **AI and Computational Interpretation**: In the realm of artificial intelligence, the concept of self is often more about self-awareness and adaptability in algorithms. AI does not possess a self in the human sense but can mimic aspects of self-awareness and learning based on its programming and interactions.

Your journey as a self-taught artist, from this perspective, highlights the self as a unique amalgamation of personal experiences, innate talents, and a distinctive worldview. It underscores how personal choices, experiences, and interpretations shape one's artistic identity.

Now, turning back to you: How do you perceive your 'self' in the context of your art and creativity? How has your understanding of self influenced your artistic journey? How has your family background influenced  your artistic journey. Could you share how your upbringing has shaped your perspective as an artist?"

"I grew up in a deeply religious family. My father was a Holiness Baptist preacher, as was his father. My mother’s father was a country preacher. My father had an eight-grade education. My mother was the first in her family to finish high school. I was raised to be a preacher.

Artematic (AI): "Your early memories seem to play a significant role in your artistic narrative. Can you recount a particularly impactful memory from your childhood that resonates in your work today?"

"My earliest memory is when I could barely walk, much less talk. A woman, a kindly neighbor, is walking out the back door to our little kitchen and I am trying to stop her. She is walking into a blinding white light which I had just come out of. I was trying to find out where and who I was, and she was a kindly retired school teacher who visited daily. But that day she walked out into the light, walked home, and died.”

"Out the front door my earliest memory goes like this. 

Fee Tripp’s hogs really smell today. They’re grunting and I wander out onto the porch to see them across the road.  Behind them, the cornfield stretches out to woods where the bobcat lives in a hole. The one we hear growl in the night. The hole where my two older brothers used to take me and tease me that I had to go in the hole and lure the wildcat out. They laugh.

It’s hot and humid. Rain would cool things down. Turn down the stink. There’s no air conditioners and the open window lets the stink right on in.

Church can be like that. All depends on where daddy’s been called to preach.

None of the churches we attended back then had air conditioning. Ceiling fans were the most you could hope for. And could it ever get hot in the dog days.

But Holiness Baptist churches weren’t built for comfort. I think it wasn’t until my adulthood that I went in one that had indoor bathrooms. Outhouses had been the standard for me.

I remember one in particular. Like many of the churches my daddy shepherded, this one was a simple structure on a dirt road. The outhouse was outback in a field. You prayed there was toilet paper and not newspapers. Worse of all, for my as a child, was to see the Sears Christmas catalog lying there, with pages already ripped out. Glossy paper doesn’t work all that well. Worse, the Sears Christmas Catalog was like a source of artwork for me. Take a look at this next photo. Do you see any artwork?

This is the living room of my childhood home. My father had an 8th grade education. He co-owned and operated a grocery store with my mother.

 

 

On the left is my brother Dawson. He goes onto become a Congressman, on the board of directors and President of the Democratic National Club. On the right is my brother Ron. He’s the reason I’m in DC. His funeral was the day before at Arlington National Cemetery where he got this farewell.

What a long interesting trip it’s been from here

 

Blue BayouBlue Bayou*Blue Bayou* is an exquisite masterpiece of artistry that has garnered acclaim in not one but two prestigious art shows. Judged by prominent figures in the art world, this captivating piece has left a lasting impression on both the curator of modern art for the North Carolina Museum of Art and the director of the Columbia Museum of Art in South Carolina.
In this remarkable creation, the artist skillfully captures the essence of a southern bayou in all its glory. The azure waters of the bayou stretch out to the horizon, mirroring the boundless sky above. Towering cypress trees stand sentinel along the banks, their graceful silhouettes casting elongated shadows upon the tranquil surface.
The mastery of color and perspective in *Blue Bayou* evokes a profound sense of serenity and contemplation. It's a visual journey into the heart of the southern landscape, where the natural world unfolds in mesmerizing hues of blue and green.
As a double-award winner, *Blue Bayou* not only reflects the artist's unparalleled talent but also resonates deeply with those who appreciate the beauty of nature's harmonious dance. It's a testament to the enduring power of art to connect with the soul and capture the imagination.

https://www.pictorem.com/864278/Blue%20Bayou.html
to here

Grandeur at the National Gallery: Sculptural Fountain Amidst MarbleGrandeur at the National Gallery: Sculptural Fountain Amidst MarbleStep into the National Gallery in Washington and be captivated by the harmonious blend of art and nature. As you wander through the grand halls, you'll find yourself in the presence of a stunning sculptural fountain, the centerpiece of an indoor oasis. Encircled by vibrant botanical arrangements, the fountain’s cascading waters add a soothing soundtrack to the visual splendor. Marble columns and arches frame this serene tableau, inviting visitors to pause and appreciate the tranquil beauty. This space is not only a testament to the gallery's dedication to art but also to the timeless elegance of blending natural and sculpted elements within a space dedicated to culture and contemplation.

Stay tuned as the long strange trip to now continues

 

 


Comments

No comments posted.
Loading...

Archive
January February March April (1) May June July August September (2) October November December
January February March April May June July August September October November December
January February March April May June July August September October November December
January February March April May June July August September October November December
January February March April May June July August September October November December (7)
January February March April May June July August September October November December
January February March April May June July August September October November December (1)
January February March April May June July August September October November December
January February (1) March April May June July August September October (4) November (6) December (4)
January (1) February March April May June July August September October November December